Ezra 1

Agnus Dei is the fifth movement from Narverud's Misse de Cinque Terre, but stands on its own as a unique setting of this traditional Latin text. The work is inspired by five Italian

A strong unifying text from Colleen Carhuff states "No notes are as connected as the souls that sing them, and no soul is happier than when surrounded by their friends. We are one!" A wonderful choice for

With a theme of unity and standing together, this exceptional work will have special appeal to treble ensembles as well as multigenerational choirs.

The dreamlike qualities of the music in this original selection amplify the text and have us dreaming of a love remembered. This beautiful art song with a powerful combination of soaring melodies and

The elegant beauty of Francis Ledwidge's poem about the late summer shimmers in this original work for a cappella mixed chorus. Slowly moving harmonies that range between four and six parts ebb and flow

With melodic interest in all parts, and no divisi, choirs of all sizes will enjoy this special Ave Maria. Mixed meters, expanded harmonic language and some dissonance help to make the piece unique.

From Argentina comes this lovely a cappella setting of the traditional Ave Maria text for treble choirs. The resonant harmonies will ring with a tranquil beauty, and this piece will find a home in concert

Made popular by the award-winning group Sweet Honey in the Rock, this South African folk song was shared with the arranger by the group using the text that they had learned from an indigenous South African.

Robert Cohen brings vivid life to Ronald Cadmus's superbly imaginative poem in this creative composition. Focusing on the theme of saving the planet and all of its creatures, which your choir will  get

This piece is a tribute to Julian of Norwich and the Bell Tower erected in her honor in 1658 to protect St. Julian's Bay in England. Set as a round, this fun to sing work gives all voices a turn at the

Ella Wheeler Wilcox's poem suggests that the bird of hope not soar too high or sing too loud. Taking heed, the composer created much downward movement in the piano accompaniment, while allowing the singers